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See a Little Light: The Trail of Rage and Melody
Ebook See a Little Light: The Trail of Rage and Melody
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Review
"As a long time fan, I feel so grateful that Bob chose to share his life story in such a candid and open manner. See A Little Light stands tall with the greatest rock and roll memoirs of all time."—Benjamin Gibbard, Death Cab for Cutie'Bob mould's incredible journey is an inspiring one. I hope to one day be able to write a book like this, to live like this, to rock like this, but in the meantime, I can read this. A poetic and devastating memoir from one of the greatest artists of all time. I love Bob Mould.'—Margaret Cho"Ultimately, it’s [Mould's] ongoing quest to transform himself from an isolated and work-obsessed individual into someone who’s actively involved with his community and lover on multiple levels that informs his life’s story—and which makes See a Little Light such a compelling and rewarding read."—ForeWord Reviews"Bob Mould's revealing memoir written with Michael Azerrad, would make a great gift for the music-lover on your list. Mould, who played in groundbreaking bands such as Husker Du and Sugar, was that rare commodity in the alternative and college rock scene, an out gay man."—The Bay Area Reporter"See a Little Light tells of Mould’s struggles with homosexuality, personal relationships and various addictions, but this is not just another titillating rock ’n’ roll memoir ... It’s a clear, plain account of one troubled musician’s life, with a lively and happy ending."—Chicago Sun-Times" After all, if you take my word for it, See A Little Light is a treat, an absolutely-first-tier rock autobiography."—LA Weekly"[A] brutally honest autobiography tour de force."—Village Voice“See A Little Light is not a memoir, it is an autobiography. Bob Mould’s story is an entertaining, funny, intensely-inspirational and perhaps the consummate tale of human spirit and willpower in the hands of a master. As well as a great narrative history for casual to fanatical fans of Bob’s myriad endeavors (Husker Du, Sugar, Bob Mould solo, etc), See A Little Light is also the story of one of our era’s great rugged individualists.”-Andrew Earles, author of Husker Du"More than just another punk rock memoir, See A Little Light”is an open-hearted testament to one self-made man’s undying, unflagging, undeniable voice, and an inspiring tale of spiritual and musical growth that deserves a spot on the shelf of any serious DIY or GLBT library. In the end, I read it mostly as a love letter of explanation to Mould’s alcoholic and angry father, and as an amazingly self-aware (and often deliciously good-humored) meditation on how son channeled dad’s shared rage into sobriety, music, catharsis, and redemption. Riveting stuff."—Jim Walsh, author of The Replacements: All Over But The Shouting: An Oral History and The Replacements: Waxed Up Hair and Painted Shoes: The Photographic History"The critic Lester Bangs used a phrase, “imperative groin thunder,” to describe the loud, raw music he loved most. Mr. Mould’s music brings that kind of thunder. Some of the time, and in surprising ways, so does his book."— Dwight Garner, New York Times"Any number of veterans of the punk and post-punk campaigns of the 1980s could pack a memoir with endless drives in the van, bad food and bad contracts, shoestring recording sessions, hellhole nightclubs, sleeping on floors and all the other genre touchstones. A select few could also explore the conflicts, rewards and drawbacks of wider popularity, and the challenges of sustaining a musical life into advanced adulthood. But there's only one who could do all that and also describe dealing with his unresolved homosexuality and, why not, going to work plotting the story lines in professional wrestling. Those last two elements definitely distinguish Bob Mould's autobiography from the predictable pack, and should keep readers from feeling they're on an endless van ride themselves."— Richard Cromelin, LA Times"Mould captures something of his terrific will, which is a great gift."—NPR“A blunt, bracing and astonishingly confessional look back at a man who’s produced some of the best rock music of the last 20 years."—Patrick Beach, Austin American Statesman“Mould never fails to captivate and inspire.”—Publishers Weekly“As satisfying as [Mould’s] best work...compulsively readable."—Ben Westhoff, Washington City Paper"Brisk and enjoyable...urgently personal."—NPR's "Books We Like"“Offers an emotional depth and level of insight absent from most musical biographies.”—Biblioklept"His story is one of persevering and becoming one of the forces that changed American music."—Amos Lassen
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From the Back Cover
"A beautiful, painful, frank memoir." —The Wall Street JournalFrom the start, Bob Mould wanted to make Hüsker Dü the greatest band in the world—fast and loud, but with melody and emotional depth. In See a Little Light, Mould finally tells the story of how the anger and passion of the early hardcore scene blended with his own formidable musicianship and irrepressible drive to produce some of the most important and influential music of the late twentieth century.For the first time, Mould tells his dramatic story, opening up to describe life inside that furnace and beyond. Revealing the struggles with his own homosexuality, the complexities of his intimate relationships, and his own drug and alcohol addiction, Mould takes us on a whirlwind ride through achieving sobriety, his acclaimed solo career, creating the hit band Sugar, a surprising detour into the world of pro wrestling, and most of all, finally finding his place in the world.A classic story of individualism and persistence, Mould's autobiography is an open account of the rich history of one of the most revered figures of punk, whose driving force altered the shape of American music.
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Product details
Paperback: 420 pages
Publisher: Cleis Press (October 29, 2013)
Language: English
ISBN-10: 1573449709
ISBN-13: 978-1573449700
Product Dimensions:
6 x 1 x 8.9 inches
Shipping Weight: 1.3 pounds (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
77 customer reviews
Amazon Best Sellers Rank:
#74,907 in Books (See Top 100 in Books)
Bob Mould. I respect the man - saw him recently for the first time since a Hüsker Dü show back in '87 and he practically blew the roof off, playing material from Silver Age all the way back to In a Free Land. He's definitely still got chops. As musician, songwriter and performer, he's one of the best - as a human being, this bio seems to confirm my prior impressions of basically a decent, but self-centered, emotionally-stunted, avoidant, small, petty, occasionally cruel and somewhat shallow individual who seems generally to lack interest in the world outside of music, sex, business and himself.After reading his description of the circumstances surrounding the breakup of the Hüskers and his ending contact with Grant Hart, I can understand why it happened and why they will likely never reunite. On the other hand, Mould seems to be unnecessarily malicious and dismissive of Greg Norton, an integral and energetic part of the band as well as a solid player and probably the only one of the three Hüskers you might actually want to hang out with.The book is good reading regarding Mould's early life - the scenes, influences, band line-up formations, creative/writing processes, his composition techniques, etc. And while the stories behind particular songs, on-the-road tales of tours, group dynamics and personalities are engaging stuff, the further one gets into the book the more it becomes primarily about Bob's sexuality, his "crushes", hook-ups, turbulent interpersonal relationships, coming-out, and general "gayness". Whatever. Compensatory narcissism, indeed. He is prone to over-eroticization of the dynamics of interaction amongst males whether speaking of bandmates, associates, acquaintances, strangers and/or friends. It becomes tedious after a while, and the last 20% or so of the book is actually rather dreary - as another reviewer has noted, it loses its focus - this is around the same point that it begins to read like the diary entries of a sexually-obsessed sixteen-year-old. And an entire chapter on his short time in the moronic world of "professional wrestling" with nary a critical word about the incredible inanity of the whole idiotic spectacle? Please.Mould is a giant in music, and much of his work is majestic in an aesthetic sense that is probably yet to be fully appreciated. Some of his greatness surely comes from the anguish and turmoil that have characterized his life and that he has communicated in this book - he's "gone through some stuff" and obviously carries emotional burdens that readers and fans can empathize with and recognize as a source of creativity, as well as flaws. As for the man himself, I'll just take the music please, and consider that I now know more about him than I ever wanted to.
This is a solid book. Well written, interesting and informative. But it is spoiled by the following: As a huge fan of Husker Du I was happy to see this book coming out, since there is so little information out there about this legendary band. But, I must say that I was very dissapointed with the treatment that Bob gives to his former Husker bandmates. It's written from the perspective that only he was Husker Du, and the other two members were mere annoyances. That's a major distortion of history. Husker Du was an amazing band because of all three members, each crucial in their own ways, with two of the members (Mould and Hart) being equals in songwriting and as vocalists. Bassist Greg Norton comes across in this book as a non-person. For someone who laid down some great bass lines and held all of the beautiful noise together in this three piece band, I found it a little disturbing that Mould says absolutely nothing positive about his contributions throughout the book. Instead he chooses to ridicule him on numerous occasions. Very petty! And when he grudgingly gives Hart a tiny bit of credit throughout the book, he immediately follows it up with something extremely negative or critical, or of the nature of "I did better than him."I have never met any of the three members of Husker Du and know nothing about them personally. However, after reading this book I find myself liking Bob Mould a lot less as a person. I mean, come on-is there nothing positive that he can say about Grant Hart and Greg Norton, who together with him made three of the most amazing albums ever put out in less than a 2 year span (Zen Arcade, New Day Rising and Flip Your Wig)? Those three albums are all "10's". It took all three of them to make these albums so good. How about a little appreciation of the band, and not just of his own contributions to it? Husker Du would have been a shell of a band without Grant Hart, just as it would have been without Bob Mould.It will be interesting to see if Grant's perspective is covered in the upcoming film, "Every Everything".
I just adore Husker Du and Bob Mould. This is an lovely autobiography written with gripping honesty and literary flair. If you like Husker Du/Bob Mould/Sugar - then get it. You will not be disappointed
This is a good read about a great musician. Mould is a legend here in Minnesota among my generation, and I think there is something for everyone who might be curious about his life and career. Extremely personal, sometimes uncomfortably so. Still, knowing his honest, frank songwriting style, I can appreciate his candor. There is also allot of first hand insight into the music scene that he and so many cool bands created on there own in the 1980's.
He's in a league of his own in that he's managed great success in a tough business and I think he sets a stage for others that are gay in the industry. I was surprised to hear that it was even an issue... his story is engaging and opened my eyes to how trailblazers like him actually made a living in the music business.
I love Bob Mould, mostly the Sugar era. Bob is coming to Minneapolis in September to play his "Copper Blue" review tour, (2012). I wanted to re-acquaint myself with Bob and his work, so I picked up his book.The book does start with a very "in your face" story of Bob and his lover. So we get that out of the way. It moves onto the more interesting accounts of his music from Husker Du to his solo career. I feel like Bob is very honest with his emotions and history. As a music lover it is always interesting to find out the background to the "hows" and "whys" an album or song makes it. I have read some other music history accounts of Bob Mould that were not very praising. It is good to read both sides.If you really love Bob Mould's music, from any stage of his career, I would say that you would find this book very interesting.
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